Dossier · THE BACKROOMS · 03 · 13

The full dossier.

Everything you need to noclip out of the office on Friday and not get lost between elevators.

FILE 1 · THE FILM

THE BACKROOMS

Director
Kane Pixels
Studio
A24 / Atomic Monster
Runtime
1h 44m
Rating
R
Source
Found-footage YouTube series, 2019
Color palette
Backrooms yellow, fluorescent cream, exit-sign red
FILE 2 · THE LOGISTICS

When & Where

Date
Friday, March 13
Doors
9:15 PM
Showtime
9:40 PM
Theater
Alamo Drafthouse — Hall 7
Address
117 Mercer St, 7th level (rear elevators)
Block
Block 47 reserved — middle-back, aisle access
Meet at
Lobby of 2nd Floor by the popcorn machine, 9:00 PM sharp
FILE 3 · THE AFTER

The Liminal

Basement bar, four doors down. No windows. Strip lighting. The jukebox plays Boards of Canada and that one Stereolab record forever. Tab open until someone in Finance notices.

Venue
The Liminal
Location
4 doors down, basement bar, ask for ‘Level 1’
Last train
11:42 PM, Mercer/Spring
Walk
2 mins from theater
Capacity
32, comfortably
FILE 4 · WHAT TO BRING

Carry-In

  • — A jacket. Theaters are cold and basements colder.
  • — Cash for tip. The bartender at The Liminal does not run cards.
  • — A reasonable opinion about A24's recent output.
  • — Tolerance for fluorescent buzz at 60Hz.
  • — No phones during the film. Wren will photograph us under the marquee, that is plenty.
FILE 5 · THE CONCEPT, FOR THE UNINITIATED

What Are The Backrooms?

In May 2019, an anonymous post on a 4chan thread asked for unsettling images. Someone replied with a low-resolution photograph of an empty office hallway: yellowed wallpaper, damp carpet, fluorescent lighting overhead. Underneath, a caption — that if you're not careful and you noclip out of reality in the wrong areas, you'll end up in The Backrooms, where it's nothing but the stink of old moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms.

The genre that grew from that one image is liminal-space horror — not jump scares, but the dread of an empty Office Depot at 4 AM, of a hotel pool decommissioned in 1996, of a corporate corridor that keeps repeating. Kane Pixels made YouTube videos of it. A24 and Atomic Monster made a feature of those videos. We are going to sit in a dark room together and watch the room around us refuse to end.